This past weekend saw some of the most talented African animation creators present their work both live and through video presentations at ICON CGC. These pitches were part of The Animation du Monde preliminary round that was one of 3 international competitions taking place at ICON CGC this year.
Animation again played a big role at ICON CGC 2019. The event’s 27th edition. This could be seen in almost every facet of the event, from cosplayers dressed as their favourite character, to some of the entertainment, and panel discussions. This was the backdrop wherein the first of five Pan-African preliminary rounds for Animation du Monde 2020 kicked off.
In the end the 3 project chosen were; Pixel’s Plan by Cate Wood Hunter (South Africa), Into the Odd by Moshood Shades Ridwan (Nigeria), and Flying Low by Sean Steinberg & Sean Braam (South Africa).
African storytelling through animation is gaining confidence and whilst these projects are unique and very different they have an authentic African voice.
The event also included the regional final for the World Cosplay Summit (WCS) competition which saw two teams being selected to represent South Africa (and by extension Africa) at WCS held in Nagoya, Japan in both 2019 and 2020. 8 teams competed but in the end it will be KinNeko Cosplay who will attend the 2019 WCS and Team BakaYama who will attend in 2020.
Over 4000 people interacted with multiple aspects of ICON CGC over the Easter long weekend, which took place at Emperors Palace. People from various backgrounds and ages shared their love for pop culture through the various events that took place. These included panel discussions around the business aspects of the pop culture phenomenon, as well as a full and frank unpacking of the challenges that the South African and African industry’s built around this genre are facing.
The call for the second prelim of the Pan-African Animation du Monde taking place at DISCOP Abidjan is currently open. Francophone Africa has in the past proven it has what it takes to compete internationally. Ingrid Agbo, a DISCOP Abidjan 2017 semi-finalist, would later go on to win anhistoric pre-sale at MIFA Pitches 2018 via the Continental Final at DISCOP Johannesburg 2017. Contestants have until the 17th of May to submit their project and can do so by clicking HERE. Video pitches will be accepted for those not able to attend the preliminary regional round at DISCOP Abidjan however, candidates who are able to attend the event will be given preference. The competition regulations can be viewed HERE.
In 2018 the African Animation Network (AAN), through its partnership with DISCOP Markets, partnered with Africa’s longest running pop culture events, ICON CGC (South Africa), NAICCON (Kenya), and Lagos Comic Con (Nigeria) to create DISCOMICS. This open network platform’s goal is to create opportunities through which these events can work together to grow and increase opportunities for Africans who create pop culture content. These events, over the past 2 years, have hosted some of the preliminary rounds for the Pan-African animation pitching competition Animation du Monde.
As a Pan-African custodian of the Animation du Monde pitching competition brand, AAN, through a partnership with Annecy Int. Animated Film Fest’ & Market/MIFA, is always looking for opportunities that will empower creatives, and to showcase African talent. The winners of this year’s preliminary rounds will go through to the Continental Final held at DISCOP Johannesburg in late November, where they will be mentored by some of the best in the business.
These kinds of competitions provide contenders with access to compete on a global stage at the highest level- opportunities that were not available several years ago. It makes it possible for Africa to change the script the world has of it. It also means that new audiences are able to appreciate what the continent has to offer. WCS and Animation du Monde are opening doors for creators that were previously only available outside the continent.